Experiment in the medium of watercolor with the farm landscape as your backdrop! Local Queens artist Denis Ponsot will provide instruction and demo all the “shop tricks” in watercolor painting. Beginning and experienced students are welcome and will explore a variety of techniques with an emphasis on developing one’s own style. Demonstrations of color and design, wet-on-wet, and dry brush techniques will be included. Individual attention will be given. Note: A supply list will be distributed upon registration for this course.
4 sessions: Thurs, June 6, 13, 20 & 27
Artist Shervone Neckles’ installation Beacon Shade Sail affirms the Lewis Latimer House Museum’s sense of place and belonging within the Flushing and greater Queens community, and honors the “groundbreaking” lifework of inventor Lewis H. Latimer. The outdoor installation features two triangular-shaped shade sails which function as a focal point to attract the local public and serve as a locator for visitors.
About the Artist:
Shervone Neckles is an interdisciplinary artist, educator, and community worker. Neckles’ draws inspiration from the duality and transitional nature of her Afro-Grenadain, American identity. Her work embraces collage, alternative printmaking techniques, book arts, sculpture, and social investigations. She has participated in residencies as diverse as the Youlou Arts Foundation in St. Vincent and the Grenadines, WI; Robert Rauschenberg Foundation, FL; The Elizabeth Foundation’s SHIFT Program, NY; The Center for Book Arts, NY; The Skowhegan School of Painting and Sculpture, ME among many other residency programs. Previous awards include grants from The Queens Council on the Arts, Foundation of Contemporary Art, Puffin Foundation, Joan Mitchell Foundation, and fellowships from Robert Blackburn Printmaking Workshop and Manhattan Graphic Center.
Her award-winning work has been shown worldwide in both group and solo exhibitions and will be featured in the 2019 Venice Biennale’s Grenada Pavilion. Her practice also includes curatorial projects; Amplify Action: Sustainability through the Arts with Pratt Center for Community Development and Bedford-Stuyvesant Restoration Corporation in Brooklyn, NY; and From Taboo to Icon: Africanist Turnabout at the Ice Box Gallery in Philadelphia, PA. Neckles’ has earned an MA from Teacher’s College, Columbia University, MFA from Queens College and BFA from The College of New Rochelle. Neckles’ currently lives with her partner, artist José M. Ortiz and six-year-old son in Queens, New York.
This exhibition is made possible in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. It is part of NYC Parks’ Art in the Parks program.
Bang on a Can and The Noguchi Museum present the New York-based guitar and percussion duo 75 Dollar Bill, performing their unique blend of sound from Northwest Africa by way of Mississippi and New York No Wave. As 75 Dollar Bill, plywood crate percussionist Rick Brown and guitarist Che Chen make electric, richly patterned music that can shape shift from joyful dance tunes to slowly changing trance minimalism – an uncategorizable hybrid which draws on early electric blues, the modal traditions of West Africa, India, and the Middle East, Sun Ra’s space chords and the minimalist and No Wave histories of their hometown. For this event, the group will present a special set of material conceived with the unique environs of The Noguchi Museum in mind. The performance will take place in The Noguchi Museum’s outdoor sculpture garden. In case of rain, the concert will move to the Museum’s galleries.
Mundos Alternos: Art and Science Fiction in the Americas brings together contemporary artists from across the Americas who have tapped into science fiction’s capacity to imagine new realities, both utopian and dystopian. Science fiction offers a unique artistic landscape in which to explore the colonial enterprise that shaped the Americas and to present alternative perspectives speculating on the past and the future. In the works featured in the exhibition, most created in the last two decades, artists employ the imagery of science fiction to suggest diverse modes of existence and represent “alienating” ways of being in the world. The exhibition offers a groundbreaking account of the intersections among science fiction, techno-culture, and the visual arts.