12:00 am
JungOck Chang turned her attention to art when she left teaching in NYC public schools. She cultivated her interest in Minhwa, a style of Korean traditional folk painting and spent the past six years studying and painting. Her images draw on Minhwa’s long pictorial tradition. This exhibition will be running from September 22 to November
Voelker Orth Museum
Oct 10 2018 – Jan 10 2019 all-day
12:00 am
New 2018 Artist Co-Op exhibition at Jamaica Center for Arts and Learning opens next Thursday. JCAL’s Artist Co-Op is an annual exhibition featuring emerging and mid-career artists from around the borough of Queens and NYC. The goal of the exhibition seeks to reflect the diversity, talent, and quality of work in the Visual Arts of Queens.
Jamaica Center for Arts and Learning (JCAL)
Oct 21 – Oct 31 all-day
12:00 am
The New York International Fringe Festival returns in October of 2018 with both a FringeNYC and FringeBYOV segment. FringeBYOV (“Bring Your Own Venue”) is a new “open access” segment in the outer boroughs, and encompasses both existing Indie Venues with their own programming. One of the FringeQNS Indie Venues running this 2018 will be at
The Secret Theatre
6:30 pm
Each year in the month of October, a volunteer committee of Italian Americans plans a month-long celebration of culture and heritage. The theme for 2018 is “A Salute to Italian Women in America – Breaking Barriers…from Ellis Island to the Present.” The NYC-wide IHCC is proud to salute to such an important event in the
St. John's University, Queens Campus, Marillac Terrace
3:30 pm
For kids of all ages, animation historian, Tommy Jose Stathes treats us to a reel of spooky cartoons from the 1920-30s. A master of vintage animation, Stathes conjures the magic of early cinema – fun and not-too-scary – projected on 16mm film. The screening starts at 5 but there’s mask-making, flip books and refreshments before
Voelker Orth Museum
2:30 pm
(Seth Fein, dir. 81 mins) sees the interborough and international histories of imperialism and immigration that orbit the Unisphere in Queens since the 1964-1965 New York World’s Fair. The spit-screen documentary travels between present and past, original and archival footage, to contemplate how the imperial legacies of Robert Moses’s so-called public works and Washington’s Third
Queens Historical Society